Natural Singing Versus the Auto-Tune

Natural Singing Versus the Auto-Tune
 
Some naturally gifted, powerhouse singers are single-heartedly producing great music for people in America and abroad. With Soundcloud Groups flourishing on Facebook, marketing music has definitely been a purposeful task for music artists from all backgrounds. But what are the true preferences of music listeners?
With sites offering ‘upload and master’ services, many who can’t sing tremendously well are merely recording unpleasant sounds while subsequently mastering those songs utilizing auto-tune software. There are even Apps which have truly helped shape the new scope of music production. People can alter their voices to produce albums. But the listener may feel cheated due to the lack of authenticity and this perhaps substandard method may not lead to sold out performances for the eager artists. But some master and mixing audiologists, like me, can render awesomely sounding jams for years to come. But what if these artists want to perform live? Many won’t be able to authentically recreate sounds in which were delivered post-mixing and mastering. So naturally gifted artists may want to remain recollected. There is a reclamation period commencing in which many are actively searching for ravishing artist-styles revealing natural, raw talent versus quizzical sounds of manipulative record engineering. But is it always manipulation? Of course, it’s not always that. Some surely would love to perhaps create a tuneful music collection and have fun. Others desire to make money. Either way, music engineering and production is heaven sent. Music creation has allowed for many across the world to feel a touch of cheerfulness as they delve into this creative hobby and artform. Some may not be that in tune with the artists and just like the post-production sounds as well, particularly in the EDM genre.
What are main streamers doing? What is Beyonce, Kirk Franklin, Justin Bieber, Britney Spears, Rihanna, Taylor Swift and Drake doing? They have performed live and they have also been speculated to have wonderful producers cleverly engineering sounds so that people ‘feel the beat in great ways.’ So mixing and mastering is definitely a widely accepted practice among well-known performers as well. Some Christian Artists have mastered sounds for Jesus. But of course, we know that many Gospel Artists possess a spectacular gift in which they express contentment towards God for allowing them to sing so beautifully and creatively. Those runs are raw.
In addition to the details mentioned above, music mixing and mastering could reveal that there is a producer genius rather than just a one-dimensional artist who couldn’t masterfully sing live if the room were filled with stars or God. So post-production in music is closely similar to the beauty in creating after effects in film. And mixing and mastering could be a qualifiable job for many producers. Or perhaps, some just want to produce an unfaltering collection of sounds without squeaks and the inability to sing well. Album production can be exhilarating. It’s fun. But many hate being manipulated. However, album ‘add-ons’ if you will are clearly a solid practice within music production.  A call for purgatorical duties may be voiced by some, since many  want to hear artists who don’t pull a Milli Vanilli - move.
 Either way, music is an awesomely crafted thing to do or profession in which many learn and make people happy. Some have made lots of money while making music. But things are changing in the industry. Music producers are said to have pocketed much of the money made in the industry so music engineering during post-production is something worth researching. Adding specialized finishes to songs are common practices. But we must be as honest and transparent as possible. Mixing and mastering is a clever addition to the ‘music game.’ Acting with transparency allows for listeners to feel confident and not to feel repulsive towards music artists who claim that they can ‘blow well,’ but are just manipulating voices while not producing great results live. Artists may probably want to let buyers of their music know if their albums have been excessively mastered if they desire to sing live. Due to lack of singing ability in person, some have actually been injured by what would be fans. Either way, post-production in music is still a necessity.
Please enquire about JasonBrye.com post-production music services. Maybe they’ll accept you as you are and love that your sounds can be ‘masterfully mastered’ by a true professional. Sounding great is still a known concernment for many artists today; therefore, the mixing and mastering of music is an imperative duty still regardless of whether there is a natural, raw talent prevalent or if the person desires to just create a fantastically sounding music album. There is surely nothing wrong with adding spiffy engineering to authentic recordings.